Wednesday, September 14, 2011

Product Review: Poise® Liners by Kimberly-Clark Worldwide, Inc.

Childbearing was not kind to my body. A petite woman who bore three average size children, my body has taken a beating inside and out. One of those maladies started after the birth of my first child, at the ripe old age of 19.

The stretchmarks weren't pretty, but it was the light bladder leakage (LBL) that really didn't sit well with me. I was young, though, and I wasn't about to start wearing panti-liners every day. In addition to the fact that they curl up on the sides, they were too thin to serve any real purpose where this was concerned. So, I tucked a spare pair of underwear in my bag to have in case I needed it.

As I've gotten older, had two more kids, and developed asthma that is accompanied with fits of coughing, the instances of leaks increased. I knew I had to do something. I had seen the hilarious commercials with Whoopie Goldberg talking about "spritzing," so I went out to the Poise® site and requested a free sample.

I received three individually wrapped Poise liners and a coupon for $2 off a future purchase. The first day I tried one, I was surprised by how soft and comfortable they are. I honestly couldn't tell I was wearing a liner, which is a big plus. No one wants to walk around feeling like she has on a diaper. That's the reason I switched to using tampons for the heaviest days of my period. No one wants to feel wet either. When a leak occurred, I didn't need to change the liner immediately--which was good because I wasn't in a place where I could. I stayed comfortably dry and was confident that odor would not be an issue.

Poise liners are different from period pads. They are so soft and comfortable, I forgot I was wearing one. I noticed the difference once I ran out of samples, but that's because I felt more confident and comfortable wearing one than being without it. I'm using my coupon next time I go grocery shopping to pick up a package.

You can visit Poise online at http://www.poise.com/ to learn more about LBL and to review their products. The site offers a short series of questions so that you know which product is right for you.

I requested a free sample of this product so that I could review it during this month's product and movie review special feature. I received no monetary compensation of any kind to provide this review.

Tuesday, September 13, 2011

Movie Review: The Chronicles of Narnia: The Voyage of The Dawn Treader (2010)

Edmund and Lucy Pevensie are called back to Narnia by Aslan. Along with their cousin, Eustace, a spoiled rotten, selfish young boy, they arrive on the Dawn Treader, a ship captained by King Caspian.

Caspian, played by Ben Barnes, is searching for the seven lords his uncle sent out over the ocean. When they find the first lord, he gives them a magic sword. They soon discover that they must find the remaining swords and place them on Aslan's table in order to defeat the evil spreading over the islands.

They will be tempted in many ways. Can they overcome these temptations and find all the swords to dispel the mist?

From all the reviews I've read, it seems producer Andrew Adamson, and executive producers Douglas Gresham and Perry Moore opted to make The Voyage of the Dawn Treader, the biggest departure from C.S. Lewis's classic children's books. The reviews, like those for the other two movies, are varied and conflicting. People who haven't read the books (like me) enjoy the beautiful settings, epic adventure, and special effects this movie provides. Lovers of Lewis's books, however, decry the departure from the books' storylines and the stripping away of the more Christian elements.

Our family saw The Voyage of the Dawn Treader in the movie theater not long after it came out. In 3D, it is a spectacular addition to the series. While Peter (William Moseley) and Susan Pevensie (Anna Popplewell) only appear in cameos during one of Lucy's dreams, fans of the movies are treated to seeing Lucy (Georgie Henley), Edmund (Skandar Keynes), and Caspian (Barnes) again. Liam Neeson and Simon Pegg also return to offer their voices to Aslan and Reepicheep respectively.

I was disappointed that Peter and Susan's departure to America is never explained in the movie. We don't know why the Pevensie children were separated; though we know by the end of the second movie the older two will not be returning to Narnia. Also interesting, and a bit lazy, is that like Peter in Prince Caspian, Edmund is finding it hard to be an average kid in England after being a king in Narnia. Lucy reminds him he's not a king in England, just as Susan reminded Peter they would need to get used to the fact that they may never return to Narnia at the beginning of Prince Caspian.

Will Poulter's Eustace Scrubb is an annoying little brat--a character you love to hate. Poulter did a fine job of creating Eustace to be so unlikable in the beginning that you wish Reepicheep had thrown him back into the water instead of keeping him on the Dawn Treader.

Each character is tested while on the journey. Lucy desires to be beautiful like her older sister Susan. I never got the feeling from the first two movies that Lucy was jealous of her sister, so this is a bit of a surprise. It's also not part of the book if the reviews I've read are accurate. Edmund and Caspian are tempted by a pool that turns everything into gold. But the focus in The Voyage of the Dawn Treader is definitely more on the transformation of Eustace.

Being the selfish little runt that he is, Eustace finds a stash of gold and treasure, and gives into the temptation. As a result, he is turned into a dragon. It is the lessons he learns while a flying dragon and his contribution to the battle to place the swords at the table of Aslan that bring about his amazing transformation. While the battle moves the plot forward, it is not the focus of The Voyage of the Dawn Treader as it was in the previous two installments. Even Edmund is surprised that he and Lucy were called back to Narnia when there are no wars to fight.

The Lion, the Witch and The Wardrobe is definitely my favorite out of the three, but The Voyage of the Dawn Treader is a close second. Eustace's transformation is a big reason for that. While my understanding is that his conversion back to a boy is handled much differently than it was in the book, I do feel, overall the movie captured Lewis's message. This is the only movie of the three that I felt a PG rating was okay.

While opening weekends for the second two movies were significantly less than for the first one, the movies still did well. The Silver Chair is listed on the IMDB as in development for release in 2015. A lot can happen in four years, so we'll see what happens.

Actors: Ben Barnes, Skandar Keynes, Georgie Henley, Will Poulter, Gary Sweet
Directors: Michael Apted
Writers: C.S. Lewis, Christopher Markus, Michael Petroni, Stephen McFeely
Producers: Andrew Adamson, Cort Kristensen, Douglas Gresham
Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
Language: English
Subtitles: English, French, Spanish
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 1.77:1
Number of discs: 1
Rated: PG (Parental Guidance Suggested)
Studio: 20th Century Fox
DVD Release Date: April 8, 2011
Run Time: 113 minutes
ASIN: B004M1A21K
SRP:  $29.98

Monday, September 12, 2011

Book Spotlight: The Language of Flowers by Vanessa Diffenbaugh

The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, aster for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating grief, mistrust, and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings.

Now eighteen and emancipated from the system, Victoria has nowhere to go and sleeps in a public park, where she plants a small garden of her own. Soon a local florist discovers her talents, and Victoria realizes that she has a gift for helping others through the flowers she chooses for them. But a mysterious vendor at the flower market inspires her to question what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.


Read an Excerpt!

For eight years I dreamed of fire. Trees ignited as I passed them; oceans burned. The sugary smoke settled in my hair as I slept, the scent like a cloud left on my pillow as I rose. Even so, the moment my mattress started to burn, I bolted awake. The sharp, chemical smell was nothing like the hazy syrup of my dreams; the two were as different as Indian and Carolina jasmine, separation and attachment. They could not be confused.

Standing in the middle of the room, I located the source of the fire. A neat row of wooden matches lined the foot of the bed. They ignited, one after the next, a glowing picket fence across the piped edging. Watching them light, I felt a terror unequal to the size of the flickering flames, and for a paralyzing moment I was ten years old again, desperate and hopeful in a way I had never been before and would never be again.

But the bare synthetic mattress did not ignite like the thistle had in late October. It smoldered, and then the fire went out.

It was my eighteenth birthday.

In the living room, a row of fidgeting girls sat on the sagging couch. Their eyes scanned my body and settled on my bare, unburned feet. One girl looked relieved; another disappointed. If I’d been staying another week, I would have remembered each expression. I would have retaliated with rusty nails in the soles of shoes or small pebbles in bowls of chili. Once, I’d held the end of a glowing metal clothes hanger to a sleeping roommate’s shoulder, for an offense less severe than arson.

But in an hour, I’d be gone. The girls knew this, every one.

From the center of the couch, a girl stood up. She looked young—?fifteen, sixteen at most—and was pretty in a way I didn’t see much of: good posture, clear skin, new clothes. I didn’t immediately recognize her, but when she crossed the room there was something familiar about the way she walked, arms bent and aggressive. Though she’d just moved in, she was not a stranger; it struck me that I’d lived with her before, in the years after Elizabeth, when I was at my most angry and violent.

Inches from my body, she stopped, her chin jutting into the space between us.

“The fire,” she said evenly, “was from all of us. Happy birthday.”

Behind her, the row of girls on the couch squirmed. A hood was pulled up, a blanket wrapped tighter. Morning light flickered across a line of lowered eyes, and the girls looked suddenly young, trapped. The only ways out of a group home like this one were to run away, age out, or be institutionalized. Level 14 kids weren’t adopted; they rarely, if ever, went home. These girls knew their prospects. In their eyes was nothing but fear: of me, of their housemates, of the life they had earned or been given. I felt an unexpected rush of pity. I was leaving; they had no choice but to stay.

I tried to push my way toward the door, but the girl stepped to the side, blocking my path.

“Move,” I said.

A young woman working the night shift poked her head out of the kitchen. She was probably not yet twenty, and more terrified of me than any of the girls in the room.

“Please,” she said, her voice begging. “This is her last morning. Just let her go.”

I waited, ready, as the girl before me pulled her stomach in, fists clenched tight. But after a moment, she shook her head and turned away. I walked around her.

I had an hour before Meredith would come for me. Opening the front door, I stepped outside. It was a foggy San Francisco morning, the concrete porch cool on my bare feet. I paused, thinking. I’d planned to gather a response for the girls, something biting and hateful, but I felt strangely forgiving. Maybe it was because I was eighteen, because, all at once, it was over for me, that I was able to feel tenderness toward their crime. Before I left, I wanted to say something to combat the fear in their eyes.

Walking down Fell, I turned onto Market. My steps slowed as I reached a busy intersection, unsure of where to go. Any other day I would have plucked annuals from Duboce Park, scoured the overgrown lot at Page and Buchanan, or stolen herbs from the neighborhood market. For most of a decade I’d spent every spare moment memorizing the meanings and scientific descriptions of individual flowers, but the knowledge went mostly unutilized. I used the same flowers again and again: a bouquet of marigold, grief; a bucket of thistle, misanthropy; a pinch of dried basil, hate. Only occasionally did my communication vary: a pocketful of red carnations for the judge when I realized I would never go back to the vineyard, and peony for Meredith, as often as I could find it. Now, searching Market Street for a florist, I scoured my mental dictionary.

After three blocks I came to a liquor store, where paper-wrapped bouquets wilted in buckets under the barred windows. I paused in front of the store. They were mostly mixed arrangements, their messages conflicting. The selection of solid bouquets was small: standard roses in red and pink, a wilting bunch of striped carnations, and, bursting from its paper cone, a cluster of purple dahlias. Dignity. Immediately, I knew it was the message I wanted to give. Turning my back to the angled mirror above the door, I tucked the flowers inside my coat and ran.

I was out of breath by the time I returned to the house. The living room was empty, and I stepped inside to unwrap the dahlias. The flowers were perfect starbursts, layers of white-tipped purple petals unfurling from tight buds of a center. Biting off an elastic band, I detangled the stems. The girls would never understand the meaning of the dahlias (the meaning itself an ambiguous statement of encouragement); even so, I felt an unfamiliar lightness as I paced the long hall, slipping a stem under each closed bedroom door.

The remaining flowers I gave to the young woman who’d worked the night shift. She was standing by the kitchen window, waiting for her replacement.

“Thank you,” she said when I handed her the bouquet, confusion in her voice. She twirled the stiff stems between her palms.

Meredith arrived at ten o’clock, as she’d told me she would. I waited on the front porch, a cardboard box balanced on my thighs. In eighteen years I’d collected mostly books: the Dictionary of Flowers and Peterson Field Guide to Pacific States Wildflowers, both sent to me by Elizabeth a month after I left her home; botany textbooks from libraries all over the East Bay; thin paperback volumes of Victorian poetry stolen from quiet bookstores. Stacks of folded clothes covered the books, a collection of found and stolen items, some that fit, many that did not. Meredith was taking me to The Gathering House, a transitional home in the Outer Sunset. I’d been on the waiting list since I was ten.

“Happy birthday,” Meredith said as I put my box on the backseat of her county car. I didn’t say anything. We both knew that it might or might not have been my birthday. My first court report listed my age as approximately three weeks; my birth date and location were unknown, as were my biological parents. August 1 had been chosen for purposes of emancipation, not celebration.

I slunk into the front seat next to Meredith and closed the door, waiting for her to pull away from the curb. Her acrylic fingernails tapped against the steering wheel. I buckled my seat belt. Still, the car did not move. I turned to face Meredith. I had not changed out of my pajamas, and I pulled my flannel-covered knees up to my chest and wrapped my jacket around my legs. My eyes scanned the roof of Meredith’s car as I waited for her to speak.
“Well, are you ready?” she asked.

I shrugged.

“This is it, you know,” she said. “Your life starts here. No one to blame but yourself from here on out.”

Meredith Combs, the social worker responsible for selecting the stream of adoptive families that gave me back, wanted to talk to me about blame.



Read the reviews!

“A deftly powerful story of finding your way home, even after you’ve burned every bridge behind you, The Language of Flowers took my heart apart, chapter by chapter, then reassembled the broken pieces in better working condition. I loved this book.”

—Jamie Ford, author of Hotel on the Corner of Bitter and Sweet

"The Language of Flowers is the first book by this author and it’s hitting the Internet by storm. Exceptionally well-written, it’s a book that should definitely be shared with others. Complex and romantic, it’s sure to be on the list of this year’s best reads."

--Reading Frenzy
"The Language of Flowers is an excellent book, full of emotion, characters that have dimension, and a fresh premise in a world of tired story lines."

--Backseat Writer

"...5 out 5 stars."

--Reviews from the Heart


Vanessa Diffenbaugh was born in San Francisco and raised in Chico, California. After studying creative writing and education at Stanford, she went on to teach art and writing to youth in low-income communities. She and her husband, PK, have three children: Tre’von, eighteen; Chela, four; and Miles, three. Tre’von, a former foster child, is attending New York University on a Gates Millennium Scholarship. Diffenbaugh and her family currently live in Cambridge, Massachusetts, where her husband is studying urban school reform at Harvard.


You can visit Vanessa Diffenbaugh’s website at www.VanessaDiffenbaugh.com.

 
 
 

Sunday, September 11, 2011

Remembering September 11th



No matter how much time passes, we will never forget.

We will tell our children about the patriots who died.

We will tell them of how an entire nation cried.

They'll learn that there was no left or right.

Only a nation united, coping with strife.

We'll teach them no one wins in a world filled with hate.

We'll teach them now, before it's too late.

Friday, September 9, 2011

Book Spotlight: Chronicles of the Apocalypse: Revenge, Everything is Nothing by Zachary Richardson

Former assassin Jin Sakai sets out on a vicious battle for revenge and redemption against the clan of assassins who murdered his family.

When you sacrifice the lives of your wife and children to prevent the world’s most powerful clan of assassins from unleashing the Apocalypse, what does that make you? And what do you do when you learn that it was all in vain? For Jin Sakai, that sacrifice turned him into a mere shell of a man, filled only with guilt and hatred. When he learns that it was a sacrifice made in vain, he instantly sets out on a violent one-man war to tear the assassins’ clan down around their ears. After all, who better to destroy them than the man who brought them together?

Things soon turn down a darker path as Jin uncovers the disturbing truth behind his family’s sacrifice; a truth he was never meant to learn. Undone by the revelation, Jin is consumed by doubt and confusion and very nearly loses his life. It is only later when he meets Leah Lawson, a woman with a past almost as dark as his own, that his doubt and confusion vanish and he begins to see a path that will not only lead him to his revenge, but to his redemption. Unfortunately, there is far more going on behind the scenes than Jin realizes. Forces are at play that have been manipulating the course of his life ever since he was born. By setting out on his quest for vengeance, Jin unknowingly cements his destiny as one of the key warriors in the apocalyptic war that’s brewing just beneath the surface.

Book Information


Title of Book: Chronicles of the Apocalypse: Revenge, Everything is Nothing.

ISBN: 978-0-578-02176-8

Genre: Urban Fantasy

Publisher: Self-Published

Publication Date: April 20th, 2009

# of Pages: 291

Zachery Richardson, casually Zach, was born in Seattle WA on August 8th, 1989, and was raised in Lake Oswego, OR. It is perhaps the greatest irony of all that his chosen career is that of an author when as a child, his second least favorite subject in school was writing. Math was number one, and their relationship remains strained to this day.


However, the switch was flipped in middle school when his teacher assigned a creative writing project. Having finally been given a productive outlet for his wildly active imagination, Zach dove headfirst into the world of author-dom and never looked back. By his freshman year of high school, he’d completed his first “book”; a 300 page fanfiction set in the Mobile Suit Gundam universe. Afterwards, he turned his attention to a series of wholly original works that would become Chronicles of the Apocalypse in the subsequent year.


While Chronicles of the Apocalypse (or COTA as he likes to call it) remains his central focus, Zach has also begun work on several other projects in the Young Adult and High Fantasy genres. He currently lives in Wilsonville, OR.
You can visit Zach’s website at http://www.theauthorphoenix.com/

Thursday, September 8, 2011

Book Spotlight: The Queen's Gamble by Barbara Kyle

Young Queen Elizabeth I’s path to the throne has been a perilous one, and already she faces a dangerous crisis. French troops have landed in Scotland to quell a rebel Protestant army, and Elizabeth fears that once they are entrenched on the border, they will invade England.

Isabel Thornleigh has returned to London from the New World with her Spanish husband, Carlos Valverde, and their young son. Ever the queen’s loyal servant, Isabel is recruited to smuggle money to the Scottish rebels. Yet Elizabeth’s trust only goes so far—Isabel’s son will be the queen’s pampered hostage until she completes her mission. Matters grow worse when Isabel’s husband is engaged as military advisor to the French, putting the couple on opposite sides in a deadly cold war.

Set against a lush, vibrant backdrop peopled with unforgettable characters and historical figures, The Queen’s Gamble is a story of courage, greed, passion, and the high price of loyalty…

Read an excerpt!


Chapter One

Isabel Valverde was coming home. The brief, terrible letter from her brother had brought her across five thousand miles of ocean, from the New World to the Old, and during the long voyage she thought she had prepared herself for the worst. But now that London lay just beyond the next bend of the River Thames, she dreaded what awaited her. The not knowing – that was the hardest. Would she find her mother still a prisoner awaiting execution? Horrifying though that was, Isabel could at least hope to see her one last time. Or had her mother already been hanged?

The ship was Spanish, the San Juan Bautista, the cabin snug and warm, its elegant teak paneling a cocoon that almost muffled the brutal beat of England’s winter rain on the deck above. Isabel stood by the berth, buttoning her cloak, steeling herself. The captain had said they were less than an hour from London’s customs wharf and she would soon have to prepare to disembark. Everything was packed; three trunks sat waiting by the open door, and behind her she could hear her servant, sixteen-year-old Pedro, closing the lid of the fourth and last one. She listened to the rain’s faint drumbeat, knowing that she heard it in a way the Spanish passengers could not – heard it as a call, connecting her to her past, to her family’s roots. The Spaniards would not understand. England meant nothing to them other than a market for their goods, and she had to admit it was a backward place compared to the magnificence of their empire. The gold and silver of the New World flowed back to the Old like a river with the treasure fleets that sailed twice a year from Peru and Mexico, making Philip of Spain the richest and most powerful monarch in Europe. Isabel felt the tug of both worlds, for a part of her lived in each, her young self in the Old, her adult self in the New. She had left England at twenty with her Spanish husband and almost nothing else, but he had done well in Peru, and after five years among its wealthy Spaniards, Isabel was one of them. Money, she thought. It’s how the world turns.

Can it turn Mother’s fate? She had clung to that hope for the voyage, and now, listening to the English rain, she was seized by a panicky need to have the gold in her hands. She heard her servant clicking a key into the lock of the last trunk. She whirled around.

“Pedro, my gold,” she said. She grabbed his arm to stop him turning the key. “Where is it?”

He looked at her, puzzled. “Señora?”

“The gold I set aside. In the blue leather pouch.” She snatched the ring of keys from him and unlocked the trunk. She rummaged among her gowns, searching for the pouch. The soft silks and velvets slid through her hands. She dug down into the layers of linen smocks and stockings and night-dresses. No pouch. Abandoning the rucked-up clothes, she unlocked another trunk and pawed through her husband’s things, his doublets and breeches and capes and boots. The pouch was not here either. “Open that one,” she said, tossing the keys to Pedro. “We have to find it.” She went to the brocade satchel that lay at the foot of the berth and flipped its clasps and dug inside.

“Señora, it’s not in there. Just papers.”

“Look for it!” she ordered.

He flinched at her tone, and she felt like a tyrant. Not for the first time. He was a Peruvian with the small build of his Indian people which made him look more like a child than a lad of sixteen. He had the placid nature of his people, too, and a deference to authority that had been bred into his ancestors by the rigid Inca culture. When the Spaniards had invaded thirty years ago they had exploited that deference, easily making the Indians their slaves and themselves rich. Isabel hated slavery. Pedro was her servant, but a free person nonetheless. English justice said so. But his docile ways sometimes sparked her impatience, goading her to take the tone of his Spanish overlords, and when she did so she hated herself.

“Take out everything,” she told him, less sharply. “Look at the bottom.”

“Si, Señora,” he said, obeying.

His native tongue was Quechua. Isabel’s was English. Neither of them knew the other’s language. They spoke in Spanish.

Read the reviews!

“Action-packed adventure that expertly blends fiction with history.”


–Publishers Weekly on The Queen’s Gamble “Beyond Her Book” blog

"WOW! Barbara Kyle is highly talented and INSTANTLY transported me to the Tudor Era from page one and kept me there, among the Kings, Queens, and the newly evolving England. Absolutely LOVED LOVED LOVED the pages of this novel."

--Reviews by Molly on The Queen's Gamble

“Unfurls a complex and fast-paced plot, mixing history with vibrant characters.”

–Publishers Weekly on The King’s Daughter

“Kyle is adept at layering her tale with colorful descriptions, accurate details and exciting twists within a fast-paced plot designed to keep readers’ attention.”

–Romantic Times on The Queen’s Captive

“Riveting, heady, glorious, inspired.”

–Susan Wiggs on The Queen’s Lady


Barbara Kyle is the author of the Tudor-era “Thornleigh” series of novels, which have been published internationally: The Queen’s Captive, The Queen’s Lady, and The King’s Daughter, praised by Publishers Weekly as “a complex and fast-paced plot, mixing history with vibrant characters.” Her new novel, The Queen’s Gamble, will be released on 30 August 2011.


Barbara previously won acclaim for her contemporary novels under pen name ‘Stephen Kyle’, including Beyond Recall (a Literary Guild Selection), After Shock and The Experiment. Over 400,000 copies of her books have been sold.


Barbara has taught courses for writers at the University of Toronto School of Continuing Studies, and is known for her dynamic workshops for many writers organizations. Her popular series of video workshops “Writing Fiction That Sells” is available through her website. Before becoming an author, Barbara enjoyed a twenty-year acting career in television, film, and stage productions in Canada and the U.S.


Visit www.BarbaraKyle.com.
 

Wednesday, September 7, 2011

Movie Review: The Chronicles of Narnia: Prince Caspian (2008)

In The Chronicles of Narnia: Prince Caspian, the Pevensie children are called back to Narnia to overthrow an evil king and restore the rightful heir, Prince Caspian, to the throne.

The movie opens with Peter (William Moseley) in the middle of a fight. He's frustrated they haven't been called back to Narnia. While it's only been a year in their world, hundreds of years have passed in Narnia. During that time, Aslan has left. The Telmarines have risen to power, led by Miraz (Sergio Castellitto), and a newborn heir to the throne means that Prince Caspian's (Ben Barnes) life is in danger. He blows on the horn belonging to Susan (Anna Poppelwell), calling the kings and queens of old to return to Narnia.

The Pevensies aren't prepared for what they find. The Narnians had been attacked, and they now hide underground. The Telmarines have spread the word that the Narnians are extinct. When the Narnians care for Prince Caspian, who was injured while trying to escape Miraz's soldiers, he decides to help them take back what is theirs, with a promise of peace to follow. This puts him at odds with Peter, who upon learning what has happened to Narnia, plans to lead the charge.

Again, I went to the reviews on Amazon of this movie to see what people who had read the books said about The Chronicles of Narnia: Prince Caspian. Amazingly, I already agreed with them even though I had no idea these things were different between the movie and the books. Out of the three movies, Caspian is my least favorite. They turned Peter into an egotistical jerk. Suddenly, he has a big head and expects to be treated like a king outside of Narnia. He picks a fight with a guy who bumped him because the guy expected him to apologize. We find out this is a regular thing for him lately when Susan asks, "What was it this time?" The practical Susan says they need to realize that it's possible they will never return to Narnia.

Prince Caspian blowing on Susan's horn calls them back to the magical world of Narnia. Though the Narnians had pledged their swords and lives to Caspian, Peter decides to take charge. While this creates necessary conflict for the film, I didn't enjoy seeing him at odds with Caspian. We now realize why they had to make him an egotistical jerk.

Lucy spies Aslan, but no one believes her; especially Trumpkin (Peter Dinklage), a sullen, sarcastic dwarf whose life they save soon after entering Narnia. He feels betrayed by Aslan's disappearance and all he allowed to happen to the Narnians. Lucy, played by the talented Georgie Henley, delivers another winning performance. The youngest Pevensie sibling, her insight and opinions are often disregarded. It is her strong faith in Aslan that allows her to see him; though Aslan does give her what's for when they finally meet. She tells him she wanted to come to him earlier, but the others didn't believe her. He asks, "And why would that stop you from coming to me?"

Edmund, played by Skandar Keynes, has changed since his first visit to Narnia. He seems to have grown up more than his older brother. Though the sibling rivalry is still there between the boys, it's Peter's actions that dictate the moments of tension between them.

The other thing I wasn't keen on is the romantic element between Susan and Caspian. It led to some serious looks and a humorous moment at the end, but overall, it seemed an unnecessary part of the film.

The stunning setting and superb special effects make The Chronicles of Narnia: Prince Caspian an amazing film, even if the content left a bit to be desired. My Christian friends have been disappointed in how the books have been brought to life on the big screen, but I can't imagine Hollywood producing this movie without stripping away some of the Christian elements. It's a shame that's the case, but if a viewer hadn't read the books, then they would take the movie at face value. I still wish the rating on this movie (and the first) would have been PG-13. The violent battles warrant it. Though the books are geared toward a younger audience, this movie is even darker than the first, and should be rated as such.

DVD Product Details:

Actors: Ben Barnes, Georgie Henley, Anna Popplewell, William Moseley, Skandar Keynes
Directors: Andrew Adamson
Format: Color, DVD, NTSC, Widescreen
Language: Unknown (Dolby Digital 5.1 EX), English (Dolby Digital 5.1), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Aspect Ratio: 2.40:1
Number of discs: 1
Rated: PG (Parental Guidance Suggested)
Studio: WALT DISNEY VIDEO
DVD Release Date: December 2, 2008
Run Time: 149 minutes
ASIN: B00005JPH2
SRP:  $19.99