Today's guest blogger is R. Scot Johns, author of
The Saga of Beouwulf. Scot is a life-long student of ancient and medieval literature, with an enduring fascination for Norse mythology and epic fantasy. He first came to Beowulf through his love of J. R. R. Tolkien, a leading scholar on the subject. As an Honors Medieval Literature major he has given lectures on such topics as the historical King Arthur and the construction of Stonehenge. He owns and operates
Fantasy Castle Books, his own publishing imprint, and writes the blog
The Adventures of an Independent Author, where you can follow his progress as he writes
The Jester’s Quest, his second novel.
You can visit his website at
www.fantasycastlebooks.com.
About the Book: The Saga of Beowulf is the first complete and accurate novelization of the epic Old English poem Beowulf, chronicling the tragic wars of the rising Nordic nations, the endless blood-feuds of their clans, battles with mythic creatures in an ancient heroic age, and the final, futile struggle of one man against the will of Fate that made of him a Legend.
The story follows the young Norse warrior Beowulf as he embarks upon a fateful quest for vengeance against the creature that slew his father, setting in motion a sequence of events that will bring about the downfall of a nation, all the while fleeing from the woman he has sworn to love. Based on extensive historical research and steeped in Nordic myth and lore, the saga unfolds across the frozen fields of Sweden and the fetid fens of Denmark, ranging from the rocky heights of Geatland to the sprawling battlefields of ancient France, as our hero battles men and demons in a quest to conquer his own fears.
"An epic adventure 1500 years in the making," this classic tale now comes to life once more in a bold new retelling for a modern audience.
Scot's turn:How I Came To Love Norse MythologyLike most fantasy authors, I’ve been greatly influenced by the work of J. R. R. Tolkien. Unlike many of them, however, it was the academic work of Professor Tolkien that inspired me as much as his creative endeavors. Like most adolescent males I was, of course, familiar with the names of Thor and Odin from an early age, run across in fable tales and myths from illustrated children’s books or Saturday morning cartoons and adventure movies. What I didn’t know at first was that the names of Gandalf and more than half the Dwarves of Thorin’s band that I had read of in
The Hobbit, derived from that same Nordic tradition.
Not until I delved into
The Lord of the Rings and scoured thoroughly its many appendices did I begin to have a sense that there was more beyond the book itself that Tolkien himself had drawn upon for inspiration. From the
Eddas has come the list of names that gave us Dwalin and Balin and their kin, and indeed, the race of Dwarves themselves. And thus began my fascination with Norse mythology.
Although the Nordic mythos has much in common with the classical Greco-Roman cycle, drawing as it does upon a proto Indo-European stock, there is in it a fatalistic outlook that is well at home in those cold, harsh, northern climes, an aspect that lends to it a host of cruel and ruthless elemental beings: where Greek myths give us nymphs and satyrs, the Norse tales sing of Frost Giants and Fire Drakes. The Icelandic sagas, that great repository of ancient northern folklore, present us with an endless litany of trolls and ogres and other foul demons, matched in each by equally hardy heroes, both human and divine. The Nordic myths are fraught with sorcery and spells, elves and enchanted treasure.
It is from the
Volsunga Saga, for example, and its later Germanic retelling in the
Nibelungenleid, that Tolkien drew his inspiration for the story of a mighty Ring of Power, a talisman whose curse of lust and greed is passed to anyone that wears it. This tragic tale would also provide 19th century composer Richard Wagner with the materials for his epic Ring cycle.
In the Old English poem
Beowulf, a story set in 6th century Scandinavia, we find a dragon sleeping in a subterranean grotto on a pile of hoarded gold, awoken to fiery wrath by the pilfering of a jewel-encrusted cup by a solitary thief. Not the talking dragon Smaug we fans of Tolkien know so well, but his direct precursor. Indeed, in
Beowulf we find a sword blade that melts under the corrosive touch of demon’s blood, a dark haired, dark eyed councilor who corrupts his king with poisoned words, and a confrontation with a mead-hall door-guard, all of which bear a marked resemblance to events in
The Lord of the Rings. None of which is surprising, given Professor Tolkien’s status as one of the foremost scholars on
Beowulf.
It was this, in fact, that led me on my ten year quest to bring the epic tale of
Beowulf to a modern audience in my own heroic fantasy novel
The Saga of Beowulf. As Tolkien relied heavily on Norse mythology and lore, and Beowulf in particular, in the creation of his Middle-Earth saga, I drew inspiration from Tolkien’s work in order to bring
Beowulf to life once more.
Scot has an amazing
website, so be sure to stop by.
